Despite the advancements in female representation in film, Sophie Szydlik argues that stereotypical character tropes perpetuating unattainable beauty standards are still prevalent. Read more »
“The Adam Project” has enough star power and heart to make for an enjoyable, fun action film, Screentime columnist Nate Lechner says. Read more »
If you’ve got extra downtime this spring break, Screentime columnist Christopher Reilly compiled a list of five movies you can watch to pass the time. Read more »
While “The Batman” would have benefited from being a little shorter, the retelling of the beloved superhero's story features a strong cast in a neo-noir Gotham City. Read more »
“The Ledge” tries to subvert the classic pursuit trope but falls flat due to poor dialogue and a lack of character development, Screentime columnist Dom Naggar writes. Read more »
This March, “The Godfather” will be celebrating 50 years since it hit theaters. Screentime writer Nate Lechner wrote about why, to this day, the film is widely understood as one of the greatest movies of all time. Read more »
Disney and Lucasfilm need to put together more cohesive, universal theatrical releases to revitalize the "Star Wars" franchise instead of focusing on Disney+ spinoff shows, Screentime columnist Nate Lechner says. Read more »
“Drive My Car” is a slow burn film that expertly utilizes a nearly 3-hour runtime to explore side characters and build on its main themes, Screentime columnist Henry O’Brien writes. Read more »
Screentime columnist Christopher Reilly selected these five movies and TV shows for students to watch while staying warm indoors this winter. Read more »
Jonas Poher Rasmussen’s “Flee” is a powerful documentary about a family forced to emigrate Afghanistan during the Afghan Civil War, Screentime columnist Michael Lieberman says. Read more »
While Adam McKay’s “Don’t Look Up” sheds light on the American government and media’s inadequate response to environmental issues, Screentime columnist Sam Rivo says the film is too on the nose to be an effective satire. Read more »
Now that the fall semester has come to a close, Screentime columnist Christopher Reilly lists five entertaining movies and TV shows for students to watch during the break. Read more »
Sean Baker’s “Red Rocket” is a refreshingly hilarious take on the grim realities of the adult film industry and its characters, Screentime columnist Michael Lieberman writes. Read more »
Screentime columnist Lucy Messineo-Witt argues audiences prematurely characterized “The Last Duel” as problematic without the regard for historical context. Read more »
“Eternals” delivers three-dimensional settings and plots with two-dimensional characters, writes Screentime columnist Nate Lechner. Read more »
“Passing," the film adaptation of the 1929 Nella Larsen novel of the same name, is the directorial debut for Rebecca Hall. Read more »
Through its star-studded cast and beautifully-executed settings Dune is one of Villeneuve’s best, writes screentime columnist Samuel Rivo. Read more »
Director Todd Haynes’ foray into biography and music history with “The Velvet Underground” tells the story of impactful artists with a local tie. Read more »
The film marks director Edgar Wright’s first attempt at a true psychological horror film, and follows the intertwining lives of modern-day student Ellie and 1960s singer Sandie. Read more »
Screentime columnists Madison Tyler and Samuel Rivo take a look at the documentary “Crossing Columbus” after viewing it at the Syracuse International Film Festival. Read more »
An anthology film, Wes Anderson’s latest project tells three separate stories based around the same fictional magazine. Read more »
The sensational South Korean Netflix series “Squid Game” fell short on some translations, writes Jade Chung. Read more »
Screentime columnist Nate Lechner breaks down a few options for continuing the Bond franchise. Read more »
The newest film from Mike Mills stars Joaquin Phoenix in a subdued role in this tender story of a radio journalist and his nephew, Screentime columnist Michael Lieberman writes. Read more »
